I think that I have finished Goin’ Visitin’ (you can read the accompanying description on the projects page). I’m really trying to push my Ps skills in these pieces. I’m also trying to fully explore this idea of a geobiography. How can you represent it visually?
I pulled into this portrait many references that anyone who knew Virgie well as well as faint references to the Stecoah Township in the 1980s. Stecoah has always had such a strong community identity. I’ve been thinking about why that might have been and how I might express those in words. But it has something to do with layers. Stories and memories layered overtop of landmarks, trails and fields. Walking the same worn path from the back porch to the garden or down to the spring that had been used for years. Life was lived in layers.
Virgie was one of the brighter personalities and was known far and wide - you can see it in her expression, right?
You might also be able to tell if you look closely that I landed on included the book of Ruth as the text layer in this piece. I chose this portion because Virgie left home at the age of fifteen to marry a much older man. There were just echoes there that I wanted to capture.
Compositionally there were some challenges in the way the images were divided. The quilt square creates such a distinct line. Initially I brought in the grid of the screen porch scaled up to fill in that space and then a layer of the polka dotted shirt large over top of that. The blend layers created some interesting coloring choices in her shirt that I liked and decided to keep but they were isolated in the center of the canvas. I attempted to bring in those colors in the grid section to tie the two sections of the piece together and move the eye around a bit. I think it works - I’ll know better when I return to look at it again in a few days.